12 November 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second album from the British soul singer, featuring contributions from Nile Rodgers and members of the London Symphony Orchestra
7.6
Infinitely more experimental than the soul-gospel of 2013's Sing to the Moon Read Review
There’s a fantastical, half-awake quality to these songs. Print edition only
Rapturous vocals are framed in intricate, ecstatic orchestral pop. Print edition only
Shape-shifting orchestral Afrobeat. Print edition only
A raw and thought-provoking stroke of genius Read Review
Her music has been described as “gospel-delia”, and that’s exactly what you get: gorgeous soul hymns as if sung in under-ether dreamtime Read Review
Vivid, original, it's the real deal Read Review
The Dreaming Room may be a mess, but it’s a glorious mess, packed with heroically bonkers ideas Read Review
Laura Mvula has proved emphatically that her debut was no one-off and this highly accomplished return establishes her further as a unique, captivating talent Read Review
The context is the renewal of life after an emotional breakdown, the album’s central theme; but sense of boundless possibility applies equally to Mvula’s inventive songs Read Review
Mvula has written a hypnotic record that provides a congenial embrace, but it also isn’t afraid to take bold action. A new star is most definitely born Read Review
Laura Mvula sounds confident and free throughout her second album Read Review
Nile Rogers's edgy funk guitar functions as both anchor and an irresistible invitation to dance Read Review
Laden with sonic surprises Read Review
She tries to bridge the gap between the highbrow classicism of Moon and the electronic thrust of 2010s pop Read Review
An enormously frustrating record, as Mvula clearly has it in her to be an incredible artist Read Review
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Laura Mvula: The Dreaming Room
Django Django Doveland
Django Django would appear to have refreshed their approach and challenged themselves to try out previously unconsidered melodic avenues The Arts Desk
Print edition only Uncut
Gilla Band Pugnello
Somewhere amidst the anarchy of Pugnello, there are gems waiting to be found. Unearthing them is well worth your time Still Listening
Greg Freeman All Set The Bone
Existentialism has a sound (and it’s hard to ignore) with Greg Freeman’s introspective All Set The Bone Still Listening
U2 Carnaval de Luz
Carnaval De Luz finds U2 50 years after their formation with the same four members and the same desire to shake things up. The album provides a convincing answer to the question of why they keep doing what they do XS Noize
Fontaines D.C. Dopamine Chamber
Fontaines D.C. push deeper into synthetic territory on Dopamine Chamber, balancing stadium-sized melodies with restless experimentation and darker texture Record Collector
They sound ambitious and engaged in their 50th year, swinging for the fences and hitting more targets than not. There’s still some gas in the tank Record Collector
La Roux Old Flames
Print edition only Record Collector
Back with her first new music in six years, La Roux's new sound explores facets of R'n'B and Europop to varying degrees of success The Skinny
La Roux turns to 90s R&B on a fourth album shaped by the end of a 17-year relationship, finding room for new beginnings beneath its layered production Still Listening
Print edition only Rolling Stone UK
Devastating moments are dressed up with warm production and kinetic 00s R&B in the now quiff-less singer’s grownup fourth album The Guardian
Elly Jackson returns with heartfelt pop songs about breaking up, resentment, vulnerability and all that entails musicOMH
Ditching erratic experimentation for an ambient concept, the indie shapeshifters' sixth album is their most coherent in years musicOMH
Doveland sounds less like a reduction of Django Django’s musical vocabulary than a more relaxed demonstration of how much they possess PopMatters
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways