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Richard Dawson
End of the Middle
From allotment highs to Holly and Phil, the Newcastle singer-songwriter mines life’s daily stresses and joys as only he can
The Observer
Richard Dawson
End of the Middle
The rawest and truest set of songs in his career to date
Beats Per Minute
Bartees Strange
Horror
The Oklahoma-raised musician's new album reaches grandiose heights, but that makes his stumbles all the more noticeable
Paste Magazine
Horsegirl
Phonetics On And On
On their Cate Le Bon-produced sophomore record, Phonetics On and On, the quirky Chicago-to-New York trio grow up and grow into their influences
Paste Magazine
Sharon Van Etten
Sharon Van Etten & The Attachment Theory
The singer looks for solid ground in a shaky world on her first LP made fully in tandem with her band, resulting in a moody new strain of synth-pop
Paste Magazine
Rizzle Kicks
Competition is for Losers
Competition Is for Losers brings back everything that made Rizzle Kicks great while pushing things forward
The Arts Desk
Rizzle Kicks
Competition is for Losers
Given their myriad other commitments, time will tell if Rizzle Kicks are back to stay, but Competition Is For Losers offers plenty to the fanbase, even if youthful exuberance hasn’t entirely been replaced with something more substantive
The Line Of Best Fit
Rizzle Kicks
Competition is for Losers
Jordan Stephens and Harley Alexander-Sule’s signature blend of melodic hip-hop and cheeky lyricism remains largely intact, and they still have the knack for infectious hooks
musicOMH
Rizzle Kicks
Competition is for Losers
At the heart of everything is the bond between Jordan and Harley, and it’s that which brings Rizzle Kicks into 2025 with a newfound vitalness. This is no nostalgia act; Rizzle Kicks have returned with a clear voice
Dork
Rizzle Kicks
Competition is for Losers
After nearly a decade in the shadows, the Brighton duo return, effortlessly fusing their signature lightheartedness with a newfound introspection
NME
Richard Dawson
End of the Middle
The End of the Middle might not be as breathtakingly immersive as Ruby Cord or as transportive as Peasant, but it further cements Dawson's place as modern folk's most fascinating auteur, turning historical echoes into something eerily prophetic
Sputnik Music (staff)
Richard Dawson
End of the Middle
It’s the doom of the inevitable, captured through quotidian details that bring a heavy sense of wonder and sanctity to the ordinary as it slips away
Spectrum Culture
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