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8.0
89654
8.0 |
Tiny Mix Tapes
Cameron is a deeply uncomfortable presence in his own album; even at his most abject — the drum machine tempo sags, his baritone plumbs low — he’s defiantly unpitiable
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8.0
89656
8.0 |
Loud And Quiet
Cameron’s lo-fi approach (the thin electronic drums and blobby keyboards) smacks of a man fully aware of how far he is from playing a stadium, and he revels in the character he’s built for himself
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7.8
89650
7.8 |
Pitchfork
Paints quick, affecting character sketches of losers and creeps, bolstered by elementary synth programming and Cameron’s confident, warm baritone
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7.0
89651
7.0 |
The Line Of Best Fit
Jumping the Shark, with its clear central premise and limited musical palate, is inherently niche, but if you find yourself intrigued by his storytelling Cameron won’t need any gimmicks to keep you invested
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7.0
89652
7.0 |
Exclaim
Celebrates failure and disillusionment, strips '80s synth sensibilities to their most basic elements, and pairs them with stories befitting therapy sessions
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7.0
89655
7.0 |
Uncut
Cameron nonetheless hits the mic with the total hip=grinding conviction, as if daring you to proclaim him an ironist. Print edition only
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6.0
89653
6.0 |
DIY
Alex Cameron is an oddball. And on his debut album, he mixes knowing references with deadpan humour
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