19 June 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Third album from the Silver Lake indie rock group fronted by Taylor Rice
6.4
Cements their status as one of our most special proponents of emotionally-charged guitar music Read Review
The band make use of more electronic sounds here too, though thankfully not overbearingly so, and help to create interesting dynamic breaks Read Review
A bridge to bigger and hopefully even better things Read Review
Sunlit Youth does feel more indebted to contemporary indie bands like Young the Giant or Phoenix than their previous records, but it’s also a fascinating snapshot of the band during an inevitable transitional phase Read Review
Local Natives hang on to a significant amount of their quirkiness and rhythmic flair Read Review
Yet another steady offering from Local Natives, who continue to build on a solid catalogue Read Review
Local Natives’ original components are still in fine working order, but evolution shouldn’t sound this unnatural Read Review
Apart from some synths, there are no surprises on ‘Sunlit Youth’, their weakest effort to date Read Review
The California indie-pop band goes bigger and broader, leaving behind some of the more intricate songwriting of their past Read Review
Despite plenty of clever ideas, too much of Sunlit Youth sounds so polished it becomes oddly disengaging Read Review
It feels overproduced, like some of the essence of what has defined this band for two albums has been polished away Read Review
Local Natives doesn’t seem to be saying much on its new album Read Review
An album grasping at straws in a post-Fleet Foxes world Read Review
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Local Natives: Sunlit Youth
Pond Terrestrials
The Australian psych-rock band’s latest features dense, detailed songwriting about corporate greed and the environment, but the music lacks its nuance and ambition Pitchfork
Australia’s psych-rock jesters fend off ecological doom with cosmic fury Slant Magazine
They boil everything down to its very essence DIY
It's teeming with complexity, feeding references to places, events and literary signposts into songs that wrestle with the violent contradictions of being human. Print edition only Uncut
Graham Coxon Castle Park
There’s nothing here to suggest they went unreleased for quality-control reasons. Print edition only Uncut
Strikes a perfect note of callow romance, all Merseybeat lunchbreak gossip on the spiky Alright and Billy Says, tipping into Zombies intrigue on When You Find Out. Yet there’s a depth of melancholy to the vibraphone haunting of Isn’t It Funny or Dripping Soul’s flamboyant Love flamenco that sees Coxon straying from the main paths and into the dark corners. Print edition only Mojo
Swim Deep Hum
A delightful and timely reset pressed DIY
While other artists they came up with have called it quits, the British indie band have kept moving forward. Their fifth album rewards that resilience with some of their most beautiful work yet NME
'Hum' sees a refreshed band settling into themselves and discovering that's where the good stuff was hiding all along Dork
Blur guitarist's 'lost' ninth solo album mixes a strong '60s aesthetic with some interesting stylistic tangents musicOMH
Olivia Rodrigo You Seem Pretty Sad for a Girl So in Love
Aside from a few unmemorable ballads —the sparse, piano-led “Less” is an exception late on the album — Rodrigo deftly navigates the difficult task of regaining her sense of wholeness when not everything in her life has to make the most sense No Ripcord
The Rolling Stones Foreign Tongues
More guitar-centric and holistically Stones-y than their last outing, the latest from the World’s Greatest Rock & Roll Band is built to satisfy Rolling Stone
Lizzo Bitch
This is just one for the completists (which in an age of streaming may not be many) God Is In The TV
For all its standout moments, the album’s greatest achievement is not any single song, but what emerges when the album is experienced as a whole God Is In The TV
Lizzo's fifth record is definitely her weakest to date and won't please fans who have waited four years to hear the next stage of the singer's journey Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways