22 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Debut album from the Australian singer-songwriter, recorded in a studio in New Zealand
7.6
Just the beginning for a musician who will surely take her game to another level and continue to surprise the masses with her quality music and stories Read Review
Her revelations feel like those we’ve had rolling around in the back of our minds. We just never managed to put it so plainly Read Review
It's in examining her own life through different colored lenses that this album becomes something remarkable Read Review
It reverberates with a truth that only the truly exceptional can convey. Print edition only
A worthy addition to the genre. Print edition only
Underpinning it all is her achingly sad vocal delivery, which oozes conviction throughout Read Review
Shines brightest for its clear, and charismatic narrative voice Read Review
Don’t Let the Kids Win feels very much like one of those albums that will slowly creep into the affections of a large number of people; it’s that lovely Read Review
Equal parts lovely and disquieting Read Review
A must for fans of thoughtful indie folk Read Review
A sturdy, touching arrival. Print edition only
A record that shows Jacklin has a long future ahead of her Read Review
Raw, visceral, and full of devotional lyrics Read Review
An impressive, if at times understated, album that shows she has enough wit and wisdom to fill up a canyon or two Read Review
You can't help but to win by listening to Julia Jacklin's debut album Read Review
Let's hope that Jacklin continues to pen songs that speak to her experience in such a refreshing and curious way, rather than slowly becoming jaded with age Read Review
In these heady days where the likes of Father John Misty and Courtney Barnett rule the current alternative scene, anything wishing to grab a piece of the pie really has to pack a punch Read Review
Roll over video for more options
Julia Jacklin: Don't Let The Kids Win
Ladytron Paradises
In an age when production is deliberately designed not to disturb listeners, Paradises may prove popular The Arts Desk
The cover artwork to Ladytron’s latest record Paradises adopts mind trickery by showing two hands touching through a triangle shape that looks both like a reflective mirror and a translucent window. Befitting artwork to hint at the content inside the triad’s album, which often takes the listener to places that are up to one’s own imagination and interpretation God Is In The TV
Ladytron head for the disco and relive the fun of 90s clubland The Skinny
Maybe Paradises could have been trimmed down a little, but their contagious creative zeal is apparent throughout its entirety. Ladytron have secured their iconic status once again, ensuring they become a cult band for an entirely new generation, or maybe more Under The Radar
The track I See Red radiates synth euphoria but the Pet Shop Boys-ish Death In London and single Kingdom Undersea are more about introspection than rapture. Print edition only Mojo
Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date. Print edition only Uncut
BTS ARIRANG
The group's journey to global domination has been nothing short of extraordinary, so it’s fitting that they have delivered an album that is of similarly epic proportions Rolling Stone UK
The barrier-breaking K-Pop icons return with a blockbuster album Clash
Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away The Guardian
Seven members attack the music with a ferocity that feels earned and personal. The album feels more often like seven individuals with real chemistry than one polished unit. The solo years gave each member a sharper creative identity, and RM’s instincts hold the whole thing together Consequence Of Sound
On its blockbuster return, the world's biggest band stresses group identity and South Korean roots, while pushing the songs into adventurous new territory Rolling Stone
Brigitte Calls Me Baby Irreversible
Irreversible sounds like a dead end: a lethargic monument to hollow style over substance, entirely on brand for a band that saddled their debut with one of the more ridiculous, faux-philosophical titles of recent years. It is a meaningless shell of a record with few, if any, redeeming features No Ripcord
Ora Cogan Hard Hearted Woman
In a time that can appear bent on applauding cynicism Cogan chooses curiosity. Her songs look straight into the abyss and still reach out for colour The Line Of Best Fit
Shabaka Of The Earth
On his first true solo album, Shabaka unites beats, flutes and saxophone (and some rap) Spectrum Culture
The Orielles Only You Left
As with the rest of their discography, The Orielles once again prove that you don’t always have to follow along with the masses to make good music Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways