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8.0
90807
8.0 |
DIY
Sees Joyce Manor branching out and excelling every way they turn
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8.0
90812
8.0 |
God Is In The TV
Will probably be Joyce Manor’s crossover album. It’s easier on the ear, better produced, more mature than 2014’s relentless Never Hungover Again
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8.0
90861
8.0 |
The 405
On Cody, Joyce Manor captures this change—when it’s no longer about growing up, it’s about growing older—in a very real way
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8.0
90938
8.0 |
NOW
Joyce Manor have grown up in the best way possible
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7.7
90895
7.7 |
Pitchfork
Joyce Manor have proven that they are ready and willing to grow, but they’re still open to saying, “this song is a mess but so am I”
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7.5
90813
7.5 |
Gig Soup
By far Joyce Manor’s most accomplished and complete work to date and leaves the listener itching to hear the next chapter in this evolving bands story
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7.5
90808
7.5 |
A.V. Club
Its musical pastiche of classic and underground punk continues to develop through understated alterations
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7.5
90809
7.5 |
Consequence Of Sound
Imperfect but impassioned, Joyce Manor astutely capture uncertainty and anxiety
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7.0
90810
7.0 |
Earbuddy
They’ve channeled their pop punk rock into a narrative of growing older and becoming bummed in the process
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7.0
91419
7.0 |
PopMatters
Points to future avenues that Joyce Manor can go down as it charts Barry Johnson’s continued development as a lyricist and songwriter
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6.5
91118
6.5 |
Beardfood
Save for some small highlights this a lukewarm effort that breaks the upward curve of their output
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6.0
90814
6.0 |
Drowned In Sound
The album's plain-view influences, cleaner production and vocal delivery feels like it just slightly misses the mark on being the something truly special the band have threatened their entire careers
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5.0
90811
5.0 |
All Music
Sounds like a cynical career move by a band whose members are more concerned with getting their songs placed on TV shows than they are with spilling their guts, kicking up some noise, and making music that matters
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