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9.0
92032
9.0 |
The Quietus
Put simply, Redemption is an impressively ambitious record, and its to Richard’s credit that she pulls it off as a cohesive piece of work
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8.3
91948
8.3 |
Pretty Much Amazing
Though she tends to repeat the styles of her earlier works, Richard still sounds like nobody else in the game, and for that Redemption stands apart
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8.0
91897
8.0 |
NME
There will always be a place for music as rich as this that dares to be a little different
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8.0
91898
8.0 |
Exclaim
Delightfully thoughtful and honest
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8.0
91899
8.0 |
The FT
A vibrant, multi-textured series of songs made in collaboration with electronic music producer Travis “Machinedrum” Stewart
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8.0
91900
8.0 |
All Music
Redemption is similar to the earlier parts of the trilogy in that it gives the listener a sense of being swept up, though there's little in the way of fantasy or escape here
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8.0
91944
8.0 |
Pitchfork
Redemption is reflective, an unusual headspace for a dance floor album to inhabit
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8.0
92090
8.0 |
The Irish Times
Ambitious, compelling, mesmerising
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8.0
92133
8.0 |
Beardfood
Dawn will quench your thirst for bass, melody, intellect and understanding
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7.0
91895
7.0 |
PopMatters
Overall, this is a satisfying and suitably upbeat conclusion to her Red Heart trilogy. As third acts go it ties things up nicely
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7.0
91896
7.0 |
Clash
‘Redemption’ is sometimes a disjointed affair, and seems unlikely to lift D?WN out of the cult leagues
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6.0
91894
6.0 |
Tiny Mix Tapes
There are moments, particularly toward the album’s second half, where D?WN and Machinedrum are more restrained, enabling their individual approaches to meld together fluently
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