15 November 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Ninth album from the Richmond, Virgina rock singer-songwriter
7.9
Silky earworms of the highest order, with Mann admirably making solitude and sadness entities that should be inhabited instead of spurned Read Review
Mental Illness lays its hurt and sadness out so effectively that it’s hard to completely accept it as pure fiction Read Review
As elegantly dark as a wrought iron gate. Print edition only
As in good short stories, every element in her songs works to support a single theme Read Review
This is not a flash album, there are no virtuoso flourishes by any of the players. Every note has been carefully positioned to frame her voice in a sympathetic and supportive way and recorded simply and elegantly Read Review
It's no maudlin affair, because of its insistent melodies and deft lyrics. Print edition only
Becomes something of a balm for troubled times; it's an album that finds reassurance within the darkest corners Read Review
One of Mann's most ravishing and affecting hymns to solitude Read Review
A compelling consistency of mood makes Metal Illness easy to get lost in Read Review
The music adds a gentle beauty to the proceedings, sometimes in contrast to the heaviness of what Mann sings about Read Review
Mental Illness is Aimee Mann’s quintessential statement, tempering the discord of life with elegant chamber folk. Mann fills her songs with ordinary people struggling against operatic levels of pain Read Review
Mann embraces the sadness of her music Read Review
If there’s ever been any doubt as to Mann’s poetic sensibilities, let them be laid to rest Read Review
Eminently listenable and proves that there is always room for downbeat folk in your collection Read Review
Remains more of the same, never quite hitting any peaks, and never missing a step either Read Review
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Aimee Mann: Mental Illness
U2 Carnaval de Luz
On their first album of new songs in nearly a decade, even earnest Bono-isms carry weight amid music that is impassioned and rejuvenated The Guardian
Letting loose and finding renewed purpose, U2 have delivered one of their most fun and engaging albums with Carnaval De Luz, a celebratory injection of positive vibes to both the world and this band All Music
This is not a radical reinvention of Rattle And Hum-to-Achtung Baby magnitude, or even a wilful evolution akin to that from How To Dismantle An Atom Bomb to No Line On Th Horizon. The ghosts of U2's past are summoned in numbers, though they are frequently mischievously partnered to interestingly incongruous effect. Print edition only Uncut
The Irish legends' best work in 25 years homages their eras, brings Brian Eno to bear on keys and even wheels out the late Dolly Parton musicOMH
Royal Blood Dead Company
It’s a record that sounds exactly like you would hope a new Royal Blood album would sound like, it’s little wonder that they are as big as they are, a consistently fine listen God Is In The TV
Kings Of Leon O My Beloved
With Carnaval De Luz they are not reinventing themselves or trying to be the current flavour of the month. What they do with this album is revisit their older glories and create new music and sound Spill Magazine
U2 return with a defiant and celebratory record that captures them still at the height of their powers Hot Press
This is Lorelei The Singer In My Band
Nate Amos fills his latest album with other people’s stories: some linger, others get lost in the scenery Still Listening
Out for blood! Brighton bruisers Royal Blood blast back-to-basics on fifth album Kerrang!
Mike Kerr and Ben Thatcher floor the accelerator and embark on another collision course of energised and uncompromising riff-rock for album number five NME
Dead Company is arguably the best album they’ve released since their debut, but doesn’t exactly come close to topping it Sputnik Music (staff)
Royal Blood's latest album is competently made and frequently enjoyable, but almost entirely foreseeable The Skinny
There are no frills on this fifth set, once again self-produced by Kerr and Thatcher; instead, it provides a brisk hard rock assault that should please the faithful and entice newcomers to dig into their back catalog All Music
Bono and co. return to full strength with a celebration of hope over despair Mojo
Twisted Teens The Holy Cross Tigers
They revamp the work of their progenitors while at the same time transcending it. Never wandering too far from the music that inspires them, Twisted Teens occupy a space that is distinctly theirs Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways