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8.6
97281
8.6 |
Gig Soup
One of the most anticipated albums of 2017
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8.0
97282
8.0 |
All Music
Not only a great album, it's also the inspiring, and inspired, story of how Perrett won his own life back
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8.0
97283
8.0 |
Uncut
Perrett is back, in decent shape, and fully engaged with the world
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8.0
97284
8.0 |
Mojo
A consummately composed lesson in narrative songcraft, which tugs on the heartstrings as it sails into the sunset with Take Me Home. Print edition only
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8.0
97322
8.0 |
The Arts Desk
His lyrical abilities are undiminished since his prime
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8.0
97364
8.0 |
Q
This is guitar music at its most acerbic and romantic. Print edition only
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8.0
97625
8.0 |
The Quietus
This scaled back less-is-more approach, perfected in the late period of the late Leonard Cohen, is helped enormously by Perrett’s lyrical self-deprecation and cheek, which binds and glosses over those occasionally creaky moments inherent in making rock music in your mid-sixties
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8.0
97274
8.0 |
The Guardian
A polished album of defiant rock’n’roll, withering putdowns and odes to Kim Kardashian
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8.0
97275
8.0 |
The Irish Times
Velvet Underground-influenced dissonant pop music is topped with a uniquely fragile voice, rapid streams of lyrical dexterity, and spidery guitar lines that would make Television’s Tom Verlaine approve
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8.0
97277
8.0 |
Exclaim
A very welcome return
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8.0
97279
8.0 |
NOW
Stands on its own as a clever, mature and scathingly witty record with memorable melodies and choruses. It also marks the return of a true rock ’n’ roll anti-hero
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7.2
97278
7.2 |
Paste Magazine
With How The West Was Won, Perrett proves that he’s got plenty of rock and roll left to make, a lot of courage left to make it
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7.0
97276
7.0 |
Loud And Quiet
If you’ve been around long enough, you’ll have heard this album countless times. But Perrett’s clarity of voice is intact. It’s good to have him back
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6.0
97280
6.0 |
The Independent
Certainly, the title-track is great: a limping rock groove streaked with enervated slide guitar, it finds Perrett musing sourly on American history
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