12 April 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Sixth album from the Philadelphia pop-punk band was produced by Joe Chiccarelli (Broken Social Scene, Counting Crows, The Shins)
7.9
By the time the record closes with the shimmery post-rock haze of "The Ocean Grew Hands To Hold Me" it's difficult not to appreciate the art and majesty of TWY Read Review
Themes and lyrics aside, the record is simply full of great songs Read Review
A phenomenal album that not only transcends genres but which also only feels like the next phase of a career already 13 years short that has a long and exciting future ahead Read Review
Gone is the introspection, and personal existential crises of their earlier records, and in their place is something much bigger: a sense of one’s place in the universe Read Review
A renewed example of just how powerful and poignant The Wonder Years can be Read Review
A record that feels born out of frustration, and of heartbreak. Its 11 tracks taking listeners on an rollercoaster of emotional peaks and troughs Read Review
On their sixth album, the Springsteen of Philly pop-punk and his bandmates look to the world outside their hometown, with fewer big choruses than ever Read Review
The Wonder Years' maturation from suburban pop punk ennui to (literal) world-weary emo desperation feels like a logical progression, and it's hard to fault them for tackling bigger subjects Read Review
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Djo The Crux
Recording as Djo, the star’s third album is catchy and melodic, with echoes of The Beatles and west coast psychedelia The FT
Bon Iver SABLE, fABLE
The band’s fifth release harks back to their acclaimed 2008 debut For Emma, Forever Ago The FT
This companion album to last year’s Sable EP gives those sorrowful songs a soulful lift, with Vernon’s beautiful falsetto vocals to the fore The Observer
A record of rare beauty and hope that fits neatly into the catalogue of an outfit that has never failed to deliver something extraordinary Clash
Mamalarky Hex Key
Mainstream success isn’t beyond Mamalarky’s grasp, but they would have to ditch their eccentricities to achieve it. Heaven forbid they ever do The Line Of Best Fit
Throughout the twelve tracks on Crux, Joe Keery proves time and again that he’s not just a pretty face, and not even just a great actor – he’s also a very accomplished musician and songwriter with a huge future ahead of him God Is In The TV
SPELLLING Portrait Of My Heart
Portrait of My Heart is beautiful, emotionally potent, and intricate. So in other words, it’s just another Spellling album Spectrum Culture
Snapped Ankles HARD TIMES FURIOUS DANCING
Hard Times Furious Dancing needs to exist in the context of global collapse, class warfare and cascading environmental disaster in order to be more than just a solid new wave record with sharp, if not superficial, politically charged lyrics Spectrum Culture
The Los Angeles band’s third album is the clearest reconciliation between the tension of their easygoing indie pop and their meticulous musicianship yet Paste Magazine
A record that challenges as much as it charms Northern Transmissions
Hex Key wavers on infectious hooks fused with eccentric strut but it also seems afraid of the plunge necessary to ring out each cut’s real creative worth Far Out
Hex Key is compellingly weird and rhythmically and melodically catchy, with each of its fluorescent, silver-, or neon-colored tracks holding earworm potential All Music
Too much of this record sounds like it could have been made by almost anyone and that's not good, and neither in the end is SABLE, fABLE All Music
Justin Vernon’s version of ‘radiant pop music’ is to brighten his earthy, acoustic landscapes with synths and drum pads The Independent
Justin Vernon is incapable of making a ‘happy’ record. The upbeat moments here are inevitably followed by deep longueurs. But the abiding feeling is one of peace The Irish Times
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange