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8.9
113488
8.9 |
Paste Magazine
A brilliant new kind of classic country album
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8.3
113438
8.3 |
Consequence Of Sound
The star-studded quartet give voices to women who suffer loss, heartache, and oppression
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8.0
113407
8.0 |
All Music
A vivid, vital debut
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8.0
113416
8.0 |
Exclaim
At the Highwomen's table, chairs are left empty and they encourage anybody who doesn't see themselves in country music to take a seat and to tell their own story
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8.0
113347
8.0 |
Rolling Stone
What’s most impressive about The Highwomen, handsomely produced with Nashville neoclassicist Dave Cobb, is how artfully, and matter-of-factly, it engages social issues
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7.7
113651
7.7 |
Pitchfork
On a dozen songs that transcend stereotypes of women in country music, this supergroup explores love, politics, and family
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7.0
113345
7.0 |
American Songwriter
A much needed shot in the arm from talented female singer-songwriters, most of whose solo work is on the fringes of country music and who have every right to expect these songs to stand alongside the testosterone-heavy dudes on the commercial airwaves
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7.0
113346
7.0 |
Slant Magazine
At its best, the country supergroup’s debut employs personal stories to engage larger societal themes
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7.0
113428
7.0 |
PopMatters
Brandi Carlile, Amanda Shires, Maren Morris, and Natalie Hemby collaborate on a highly entertaining country album as the Highwomen
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7.0
113440
7.0 |
Spectrum Culture
From the outset, The Highwomen seeks to topple the patriarchy
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6.0
113386
6.0 |
The Guardian
The all-star quartet upend rootsy conventions to hit some rollicking highs – but can’t fully escape the classic pitfalls
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