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10.0
123530
10.0 |
The Irish Times
For all of the jaded frustration that drives Good Woman, hope returns to the surface and the sisters comfortably sit with who they’ve become
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9.0
123616
9.0 |
Vinyl Chapters
This is the music of people that wear their hearts on their sleeves, to be equal parts open and vulnerable, and it’s something that should be celebrated
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8.0
123467
8.0 |
Spectrum Culture
England’s answer to CSN, with added colors
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8.0
123488
8.0 |
Under The Radar
Good Woman may be a little different than the band’s previous works, but it reinforces what makes them so special in a marvelous way
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8.0
123389
8.0 |
Clash
Serves as a fine artistic statement of a developing musical institution
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8.0
123390
8.0 |
DIY
For all the trials bestowed upon the trio in the past few years, they emerge positive and victorious
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8.0
123391
8.0 |
Mojo
The sister have turned that pain and drama into this elegantly nuanced third album. Print edition only
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8.0
123392
8.0 |
Uncut
Picks up where 2015's Justin Vernon-helmed If I Was Left Off, as their three-part blood harmonies form the shimmering centre of an elaborate, album-long soundscape. Print edition only
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8.0
123393
8.0 |
NME
The Staveley-Taylor sisters – Jess, Milly, and Emily – pulled through a turbulent period to produce a record that's soulful, sophisticated and forward-thinking
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8.0
123394
8.0 |
The Independent
In essence, Good Woman is a thirty-something reset, a look at three women processing the nature of femininity and a lot of personal change all at once
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8.0
123397
8.0 |
Gigwise
The Staves as never before
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8.0
123429
8.0 |
musicOMH
What keeps you coming back to Good Woman is a sense of hope and optimism that shines through – that sense that, despite the grief and pain, there’s always better times ahead
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7.8
123446
7.8 |
Paste Magazine
Emily, Jessica and Camilla Staveley-Taylor expand their sound on their first album in 6 years and most assured release yet
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7.0
123388
7.0 |
All Music
Despite subtle shifts in arrangements, the songs of Good Woman share a certain world-weariness that's balanced with a refreshing self-assurance that - like the sisters' elegant, blended vocal harmonies - never loses its composure
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7.0
123395
7.0 |
Exclaim
While Good Woman is not the most notable stop on the Staves' journey, it retains all of their most delectable elements — heart-hitting harmonies, lovely melodies, and moments of lyrical spark — that have come to define their work
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6.9
123433
6.9 |
Pitchfork
Working with John Congleton, the folk trio makes their most personal and energetic statement yet, sacrificing some of their clarion intimacy along the way
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6.0
123438
6.0 |
The Arts Desk
A sonic quilt that offers moments of minimalism amid the big production, with patches of Kate Bush, Blondie and much besides
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